The Nibelungen Saga:
The True Core by the Svava?
Hardcover Edition, 2005
301 pages [ISBN
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Hardcover Edition, 2007
574 pages [ISBN 978-3-86582-589-6]
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saga is one of the greatest sagas which have been written in
Here you can
occurrences by narration of German men, even by a lot born in Soest
those actions took place, who have seen unbroken the places where those
occurrences happened, where Hagen fell and Irung was slain, and the
Tower wherein Gunter had to face his death, and the garden that is
called Niblungs Garden. And all’s standing in the same place as in
times when the Nibelungen were slain; even the gates: the eastern gate
where the battle began at first, and the western gate called Hagen’s
which the Nibelungen broke down into the garden; all that is called
as it happened formerly. Even those men told us about it who were born
in Bremen and Münster Castle. They did not know of each other for
sure, but all of them told about it in the same way. Most of it does
correspond with old German ballads by wise men who rhymed about the big
events that happened in this country.
|Multiple medieaval manuscripts are providing stories
An army of merited and self-appointed experts has been attempting to
out the historical core of such literary renditions. However, all these
specialists soon must state that they have to do with uneasy
'adaptation on adaptation'.
Nonetheless, two philologists have been contributing
to disentangle this most popular German saga:
In 1931 Prof. Aloys Schröfl submitted that the
the Nibelungenlied, as being called 'Der
Nôt' (Grimhild’s revenge and the Nibelungen Downfall), cannot
be the right sequel of the first (Sigfrid’s life and death), because
second one appears initiated by Pil(i)grim
von Aribon, Bishop of
Passau on the Danube in 10th century. [Aloys
die Nibelungenfrage gelöst (1931); Der
des Liedes von
der Nibelunge Nôt und die Lösung der Nibelungenfrage
The lay actually refers to some topical cultural and
item of 10th century, which, however, had
become less significant or obsolete already in
Furthermore, considering connotative
cultural and historical environment of Ottonian German Empire,
found conclusive circumstantial evidence in the Nibelungenlied that
Pilgrim obviously intended
use his version as 'the carrot' for the court
Hungary. With it, as Schröfl conclusively points
out, Pilgrim intended to enlarge his influence on this country
that was about to be christianised. According to this certainly
interesting context, the later formed and most
lay, in so far necessarily drawn up to glorify the ancestors of the
be evaluated today as an early political flyer.
The lay’s eldest extant manuscript ('redaction'),
written in the time of Wolfger
von Erla, Bishop of Passau, seems to reveal that this poetry came
into fashion in
century. Thus, regarding characteristic plagiarism or 'copying',
and assemblage of compiled mediaeval
heroic epics, the postulated prime version must have been
transformed to 'updates' due to the spirit of high mediaeval times.
Schröfl’s special research into the politico-religious
10th-century relations of German Empire with
Hungary is mainly focussing on connective approach
to motive and authorship of the archetype source, which,
however, has been either scholarly suppressed or apodictically
negated through non-convincing Germanistic evaluation. Nonetheless,
Schröfl fairly underlined that the original
creators of the Nibelungenlied are explicitly quoted in its Lament
work KLAGE as
'Bischof Pilgrin von Pazzowe' and his 'Master(-writer) Kuonrat'.
Karl J. Simrock, well-known German translator of the Nibelungenlied,
has already connected both names with heyday of Upper German Clerical
Poetry of 10th/11th
The lay’s first part, however, was principally not
research. He rather distilled out a distinctive archetypal Upper German
version from the lay’s second part serving as its source since,
besides, a missing
Latin Nibelungias has been already postulated.
Heinz Ritter († 1994), philologist from
on the Weser, seems to have uncovered the historical core of the 'real
by his impressive publications and lectures. His long and meticulous
done over many decades, led him to various Nordic texts, especially to
the manuscript known as Old Norse 'Membrane' (perg. fol. nr 4,
usually completed with younger Icelandic texts) and two Old Swedish
manuscripts which he
shortly called 'Svava'. As Ritter points out, these texts cannot
to Theodoric the Great of Ravenna, but rather an equally named
king of Germanic Migration Era who had his first residence somewhere
between the Eiffel and the Rhine.
The Svava (or the Didrikskrönikan)
and the Membrane, popular name of the eldest extant manuscript of the Þiðreks
saga, provide narration about the historical Nibelungen, as
classified by progressive research that follows H. Ritter
The Svava reports shorter than the more longwinded narrating Membrane,
versions relate quite more objective than the so-called MHG (Middle
sources. The archaic version of both manuscripts was certainly known
or in the era of Charlemagne who had initiated the recording of
traditions to great extent, as Ritter argues in his book Sigfrid
This book reveals a very imposing correlation between
related to the Nibelungen, Sigfrid’s life and death.
The basic Evaluation of the Nordic
method of dealing with the Þiðreks saga is principally based
on his answer to the cardinal question whether a
tradition being assumed remarkably pregnant with historical
facts may be dissected in twilight mixture of mythological or
narratives. As Ritter has expressively underlined at his
lectures, rather less significant as well as detectable
noncontemporary adapting implementation by an evident group
of Old Norse editors might have induced the majority of scholars
to estimate the Þiðreks saga basically as less authentic or
of originally unrelated single tales. Furthermore,
Ritter regards the source of the Old Swedish manuscripts
principally 'guiding' Þiðreks saga, and he considers these
texts of such recognizable literary style and selectivity which
subsequently may allow efforts to estimate them as
Theodore M. Andersson, reviewer of a symposium based
supplement edited by Susanne Kramarz-Bein for Walter de Gruyter’s
encyclopaedia of Germanic antiquity, comments the contradicting
cataloguing of the Þiðreks saga.
Andersson was apparently remembering
Ritter’s publications with this introductory remark of 1996:
»...Þiðreks saga, which had not
received much scholarly attention for several decades,
came back into fashion about ten years ago...«
English review, available at http://userpage.fu-berlin.de/~alvismal/7susanne.pdf
May 2005), follows Heinrich Beck’s general position by means of (e.g.)
paper Þiðreks saga als Gegenwartsdichtung?
who, stringently against Ritter’s postulation and reasoning,
notoriously exposes the Þiðreks saga to the light of poetry
which appears somewhat and somehow inspired by history. Andersson
...Heinrich Beck’s "Þiðreks saga als
(...) points out that Þiðreks saga (...) synchronizes events
from legendary prehistory with near-contemporary events
in the twelfth century (campaigns against the Slavs on
the eastern frontier of Germany). Time in Þiðreks saga
is thus a variable quantity...«
Heinrich Beck classifies the message of Þiðreks saga
expressively more subtle than its naïve reader would
imagine. Obviously addressing Ritter, he underpins Germanism’s
fundamental attitude toward the general understanding of
SAGA with this manifesto:
saga research has recognized long since (...) that saga
tradition is not an ancient forwarding but derives from topic
adoption.« (Transl. from Zur
Thidrekssaga-Diskussion, in: Zeitschrift für deutsche
Philologie. 112, 1993, pgs 441–448.)
However, Ritter’s research does not disregard the fact that the Old
Norse scribes evidently processed to title translated historiographical
and chronicled material as 'saga'.
Thus, in so far, critical research would be not satisfied
with some subtle or at least 'very interpretative' explorations of the
texts which have been provided by Heinrich Beck and other scholars
Ritter’s translation of the Old Swedish 'Didriks chronicle' was
not called in question on literary subject. For elaborating
research he therein left his comparing analysis of both
chronological and historiographical structures of the Svava
and the Þiðreks saga manuscripts. In the addenda provided
his translation (pgs 399–455) he calls into question
the Svava’s dependency from the Membrane
and Icelandic manuscripts against scholastic
evaluation of mainly Scandinavian researchers. He also implemented
into his posthumous publication Der Schmied Weland
exemplary synoptic studies that point out the different literary
styles of these texts which, for instance, provide the
Þiðreks saga’s predilection for certain subjective notional
forwarding and, presumably, for mythologizing.
Seasoned practitioners have not rejected Ritter’s methodical
deciphering of 'the geographical and ethnic names in the Didriks
Saga', an analysis of noteworthy consistency that considers
rational contemporary circumstances of time and location. In 1959
William J. Pfaff had already introduced an equally titled book
with 'a study in Germanic heroic Legend', who, however, failed in
geostrategical plausibilities when turning to the less believable
Ostrogothic milieu, as this has been scholastically but
undifferentiatedly attributed to the texts by means of Upper German
poetry in particular.
As regards the source material of the Þiðreks saga, there is
no evidence that the Old Norse
editors had done essentially more than a mere translation of an
imported tradition which appears as a Low German Historia
Dietrich von Bern
– even considering that, apart from only a (very) few cases of
Ostrogothic misunderstanding and misinterpreting, the translators
obviously never attempted to change the most important location names
which have been re-allocated plausibly by Ritter.
To boot, it seems implausible that the Old Norse scribes of King
Hákon IV would have had any good reason to implant any own
narration or compilation on such unfamiliar small locations
as Vernica, Thorta, Brictan,
such rivulets as Duna, Wisara, Eydissa, such
mountain forests as the Osning
The Nibelungen Origin Place
Mone explicitly favours the region of Neuss that, besides, the Frankish
historiographer Gregory of Tours
quotes Nivisium (Untersuchungen zur Geschichte der teutschen
1836, p. 31f.) Henri Grégoire, another researcher and
that subject with Nivelle, castle and town of Belgium. The
about persons of this place show epithet donation as Nivellung,
respectively Nibelunc (whom Charlemagne proudly called his
as these names were given to Pepins in 7th
century. (The Pepins were forming most influential 'mayor-domus' family
serving as Mayor of the Palace Charlemagne and other preceding
rulers.) Grégoire, although trying a suspect relocalization of
basically agrees with Emil Rückert who published in 1836 (in the
year as F. J. Mone) his ethnological and genealogical discoveries by
book Oberon von Mons und die Pipine von Nivella – Untersuchungen
den Ursprung der Nibelungensage.
Furthermore, Mone connects Gilibach rivulet, today called
'Gillbach' that springs
c. 20 miles to the north of Zülpich, with the original area of the
this watercourse was recorded Giliovi pagus, pago Gilegoui
in Middle Ages. Earlier spelling forms of this region called nowadays die
Gilbach are unknown.
Nonetheless, some reader may think of the origin location of Gibica
or Gibich, the
latter provided as Middle High German name of the 'Nibelungen father'.
||As Ritter refers to the Svava and the
Nibelungen by means
of his comprehensive publication Die Nibelungen zogen
1981), the Nibelungen home location as well as name giving to them will
be related to a rivulet called Neffel (*)
that springs in the outer
Eiffel near Zülpich. Thus, Ritter follows the localization of
Joseph Mone, Professor in history and eminent German philologist of 19th
Photo by the author. Ritter identifies the Nibelungen residence on its
suburban location Virnich or Virmenich – on well known Roman main roads
of both Cologne–Trier and Cologne–Rheims.
Challenging the findings of Grégoire,
Ritter recognizes the historical seat of the Nibelungen just 80 miles
to the east, since an eye-catching number of location names in the
of German Zülpich must be seriously taken into consideration for
those Norse-Nordic texts related to King Gunter’s family. For example,
there is an old place called Juntersdorf, formerly spelled
(dorp = village). The name of the Niflungs'
maternal grandfather King Yrian, as provided by the Old Swedish
seems to correspond
well with a former location Iriniacum.
Heribert van der Broeck, author of 2000 Jahre Zülpich
Kölnische Verlagsdruckerei, 1968) ascribes this name to a Celtic
individual Irinus. The
manuscripts remark also
Hagen’s father was originally spelled Elf, Elff(e) or Albe,
as this name appears closely related to Elvenich. In former
this place was testified as Albinacum or Albihenae.
Van der Broeck
reckons this location to a Celtic place of worshipping, since those ‘nich’
endings are very typical for Roman-Celtic
on contemporary spelling.
Old settlements called Irnich (today: Burg
on a Roman
fundator called Varinius), Virnich (at Zülpich-Schwerfen) and Virmenich
(now Firmenich) can be found there. These names correspond well with
Nibelungen residence originally spelled Vernica, Verniza, Vermintza.
Ritter does also detect a correlating basic item which
indicates the region of
Zülpich as the original home location of the historical
note brightest full moon night when these folk met the Rhine at Duna
on their fateful march to Grimhild and her spouse Atala ('Attila',
Old Swedish Aktilius, Atilius, Icelandic MS B:
king of that part of Saxony which
the Old Swedish scribes call Hunaland:
Since important campaigns were usually planned to start at full moon in
Late Antiquity as well as mediaeval times, the Nibelungen with
armour underneath their garments could have covered only c. 30
their capital place!
The Nibelungen region of Zülpich and Nivisium,
recognized by Ritter,
Mone and other researchers, formerly pertained to eastern Frankish
Regarding spatiotemporal history, a 5th–6th-century
ruler called King Sigebert – Gregory of Tours remarked him 'the
Lame' – was residing at Cologne before he was eliminated by Frankish
Chlodovocar I. The Waltharius, a poetry definitely elder than
Nibelungenlied, titles the Nibelungen as leaders of a Frankish tribe.
we should make an effort to encounter Meroving(ian)s
by the Svava in the early history of the Franks.
Regarding research into the early history of Pepin Family, some more
interesting indications should be considered for correlation with the
||The Pepins are undoubtedly
region of Zülpich.
For example, a former church of Juntersdorf (Guntirsdorp) was dedicated
to their patroness Gertrud of Nivelles.
||The Svava and Membrane texts note Hagen’s son
the only known
descendant of the Nibelungen, as a long living successor and ruler of
||The western borderline of the Nibelungen realm
noted, but Sigfrid
(Aldrian’s slain uncle) could be considered heir of maternal family
The Svava quotes about the last ride of
campaign to their downfall – with this text:
...so they rode to the Rhine, where Duna meets the
The Duna may not be taken for the Danube in this
for Dhünn river (recorded as Duone in 1117) falling
till 1830/1840 into the Rhine at Leverkusen, the town to the north of
Incidentally, Ritter underlined this location as an important crossing
in former times.
Other researchers generally agree with Ritter: Walter
book author and documentary film maker, and Ernst F. Jung, historian
philologist, largely share Ritter’s revision of a more authentically
history of the Nibelungen or Niflungs. Roswitha Wisniewski, Prof. PhD,
first half of 13th century a comprehensive
with the vita and epoch of Dietrich von Bern was transferred as
a chronicle from Westphalian monastery Wedinghausen to
where it was re-narrated by Old Norse and Icelandic writers, as the
notes well in her postdoctoral thesis. As already mentioned, these
mediaeval scribes used to title imported historiographical material as saga.
The Svava: Sigfrid
A short summary
Note: 'Svava' means the
the region of the northern Suevi whose settling territory might
included the region between Bode and Saale rivers in Migration Period.
Annotations: Questions & Findings
|Sigfrid’s father Sigmund is king of Tarlunga.
Low Saxon towns Wolfsburg and Braunschweig may be found in this
region formerly called 'Darlingau' and 'Derlingau'.)
Sigmund enters in matrimony with Sissibe,
daughter of King Nidung
of Haspengau: Hesbaye, the region on the Meuse (Maas)
Namur and Maastricht. King Sigmund receives the half of King Nidung’s
as gift. Sissibe, however, becomes victim of an intrigue initiated by
noblemen Hartwen and Herman. King Sigmund, who went out
warring, had appointed them to his representatives. However, Hartwin
annex Tarlunga with Sissibe for his spouse – but she refuses all the
The counts pretend infidelity of Sissibe to their returning king who,
shocked, allows them to abandon her somewhere in a woodland. There, on
a river, she gives birth to Sigmund’s son. Hartwin will cut out her
but his accomplice Herman will not agree with mutilation. In the end,
can behead Hartwin in a fierce fight who, however, has kicked the baby
– embedded in a vessel of glass – into the river. Sissibe, mentally and
physically stressed, dies of shock.
A hind finds the baby and breastfeeds it. Then a
smith called Mymmer (Mime) raises the
the Old Swedish texts call occasionally Sigord Swen1.
Sigfrid’s choleric nature is certainly basing on
frustration by the
'gilded cage' his childless foster-father Mime2
has obviously made for him. At the forge, he lets off steam by beating
up Mime’s best foreman. Mime has also to recognize that his huge
strong adoptive son would never become a good smith. Moreover, Mime’s
Queen Brynhild (Brynilla or Brynilda in the Old
seems to attract his pet. In the end, Mime has to admit
that he cannot hold Sigfrid any longer, but he rather wants him dead
having lost: So the sly smith sends Sigfrid for charcoal burning to the
area of Regen3,
who was believed Mime’s brother as well as 'man-killing
Sigfrid meets Regen and kills him. (The cheeky
that there is no witness to confirm his version that the bloody
from Regen has made his skin not only horny and invulnerable, but also
sharpened his mind to understand bird language.)
Sigfrid brings Regen’s 'special head' to Mime and
him to pick
it. Mime, however, is tremendously afraid of expecting Sigfrid’s
Therefore, he promises him a precious armour he has just made for a
his best sword Gram(er), and Grane, a stallion
of Queen Brynhild.
Sigfrid takes the byrnie that Mime puts him on.
smith also hands
him over the sword, but Sigfrid swings Gram to kill his
Thereupon he violently enters Brynhild’s castle
After he has killed seven gate guardians and scuffled with the queen’s
knights and squires, she manages to stop him. Much impressed by the
she sends for the stallion and enlightens Sigfrid about his
Sigfrid moves with Grane to Bertanga,
a spelling form of German Bardengau,
today the region between Hamburg and Wittingen on Elbe river. He there
takes up service at King Isung who allows him to bear his own
banner, which shows a dragon, in half red and half brown, on red
King Theoderic of Bern6
(Didrik by the Svava)
receives information about Sigfrid’s power
and heroic actions. He makes up his mind to go out and measure himself
against him. These are some of the Twelve of his followers: Gunter
(in the manuscripts Gunnar), king of the Niflungs
(Nyfflinga, Niflunga), his brother Gernholt,
both sons of King Irung (Mb 2), and their half-brother Hagen,
the Old Norse Hǫgni7. Heim the Magnanimous,
or the Fierce,
is mentioned as a relative of Brynhild. His blue shield shows a
son of Weland, is the owner of Mimming (Mimung), the
already made of hardest steel. Incidentally, as the Didriks chronicle
Sigfrid’s cockiness had turned out Weland, creator of Mimung,
Didrik camps within sight to Isung’s castle8.
Sigfrid masquerades as modest horseman and rides down to spy them out.
He demands an appropriate present ('toll and tribute') from the
for his king. Didrik’s noble knights throw dices for it, and Sigfrid
receives Amling’s horse and shield. However, 'Amlung' follows
King Isung’s special
agent with Wideke’s white horse Skimling to get back his own
may come. Sigfrid defeats Amlung as they meet in the woodland nearby.
discloses his identity to his pursuer, and gives back the horse to its
owner because he remembers Amlung’s father Hornboge as
kinsman. Wideke had also recognized Sigfrid, but both do not report on
this incident to the Franco-Rhenish king.
King Isung agrees with a tournament. He nominates
eleven sons and
Sigfrid. Didrik cannot defeat him with his sword on
and second day. Therefore, he goes to Wideke and insists on handing
the Mimung. At the beginning of the third day of tournament, Didrik
off to use that sword, but takes it nonetheless.
After King Didrik has seriously hit Sigfrid five
the beaten recognizes
the wilful deceit and surrenders. For all that perjury, Sigfrid freely
offers his service to the Franco-Rhenish king.
Sigfrid enters in matrimony with Grimhild
(Crimilla in the Old Swedish texts)
of his new king. As doing so, Sigfrid receives the half of the Niflungs'
realm that King Didrik has promised him.9
King Sigfrid, just married, loves to be the broker
of King Gunter and Brynhild. This service is delicate insofar as
had sworn her faithfulness before his own marriage, and so she gives
now a good talking to his broken oath of love!
The kingly marriage was performed between Gunter
Brynhild, but she
successfully refuses every night. Gunter confides his problem to
who discloses that she might lose her power at her first physical
Gunter thus entrusts Sigfrid with further proceeding. However,
does not refuse against Sigfrid.
Grimhild later finds Sigfrid’s trophy of that hot
lovers' tryst: Brynhild’s
ring. It triggers off dispute and deepest odium between Grimhild and
In the end, basically in parallelism with the Nibelungenlied, Sigfrid
be killed by Hagen’s spear.
Grimhild swears revenge and marries King Aktilius
(in other texts Attala, 'Attila'). He is descendant of a mighty Frisian
ruler family and the ruler of a large region belonging to today’s
Netherlands and Low Saxony. Seven years
later, she attracts her brothers to meet her at the residence of her
(Soest of German Westphalia), centre of the so-called Hunaland
King Gunter combines the great chance to take over
realm of his
brothern-law, although Hagen and Queen Oda warn him in vain. So the
finally accept the invitation and move out with 1,000 fighters. Hagen
two fortune telling women on that ride at a river lake on the Rhine. He
slays them after a trivial dispute about their ominous prophecy, and,
a short time later, the ferryman at Duna mouth crossing point.
After a half day ride, the Niflungs meet Margrave
Rodinger (the Old Swedish Rodgerd)
at Bakalar ('Becculær', 'Pæclar' in the texts) that
identified in today’s region of Bergisch Gladbach.
After a short stay they follow the Duna (dwna), passing Thorta
(Dortmund) on their route
to Susat. There the fate of the Niflungs is sealed in the
against the folk of King Atala, who, nonetheless, must give the lives
4,000 fighters for his victory.
At the banquet, where Providence was tempted,
wins her little
son Aldrian to punch on Hagen’s chin for funny encouragement.
the irritable Niflung becomes so tremendously enraged by the boy’s
that he beheads him and his tutor. In reply, King Atala gives
order to slay all Niflungs.
Already on the first day of the battle, Gunter
surrender to the fighters of Duke Osid, nephew of Atala.
They throw him into the Schlangenturm ('Snake Tower',
apparently not far from the so-called Irungs Wall)10
by order of Atala, where the king of the Niflungs
Grimhild kills her brother Gislher (Gynter by the Old Swedish
manuscripts) by driving a burning log into his throat. She already did
the same to Gernhold who had been slain by Hildebrand (in the texts Hillebrand),
follower and advisor of Didrik.
Thereupon Didrik slays Grimhild on Atala’s
wounded by Grimhild’s loyal follower Lord Irung whom he had slain,
surrendered to Didrik after
his last fight against the Franco-Rhenish king, who, nevertheless,
well for him. Hagen wishes for a young woman to be his nurse. He is
to beget a son in the last night of his life, and hands over the keys
Sigfrid’s Hoard to the expectant mother of the child, a promised son to
be named Aldrian.
Young aged, about 12, Aldrian attracts King
to that three-doors treasury cave and locks him there. Thereafter
reports this revenge of the Niflungs to Brynhild who rewards
generously. Then he takes over the Nibelungen realm as good king.
The location of the Niflunga Hoard11
was kept as a secret and the cave never entered again. Its position
be estimated being far from King Atala’s residence.12
Map of 1968
Neffel - Niflung
According to German Wikipedia 'Neffelbach' (retrieved
the name of this rivulet is based on Nevvel =
because 'the banks
of this stream are frequently covered with fog in the morning'. A
legend rooted in the region of the rivulet’s source tells about two
influential underground dwarf rulers Niff
Obviously picking up this context, the Nibelungenlied provides a more
less splendid allusion with two dwarves called Nibelung, father
son. The latter had a brother called Schilbung, possibly
derived from a
place named 'Schievelsheide' nearby. Their father left
an immense treasure captured later by Siegfried.
Interestingly, the 350th stanza of the
Nibelungenlied reads Nebelkappe (= 'fog cap')
instead of Tarnkappe (= 'stealth cap'): ...with
it everybody could do anything of his courage
– apparently a further allusion to this Neffel region. (It seems also
comprehensible that dense fog can make particular smaller
creatures less visible.)
The author(s) of the elder Waltharius,
Upper German poetry ascribed to 9th
century, nicknamed the Nibelungen Franci nebulones.
A rather objective initial interpretation that unmasks the Neffel dwarf
legend follows ore processing being proved there at an early date, in
region already applied in Roman times. Thus, it seems consistent that
simply called dwarves did their jobs in underground mining or
'in the caves'.
And they might have been commanded by those potential, smart and
individuals of same body size who were masterly engaged in profitable
iron and fine art metal works.
Regarding the etymological side of word forms beginning with nifl-
, Jan de Vries rightfully connects original
meaning with both dark and foggy, as the former
might correspond well with traditional mining work in this region (J.
de Vries: Altnordisches Etymologisches Wörterbuch).
In comparison with Heinz Ritter’s localization of Sigfrid’s childhood
forging episode, dragon fight and treasure capture (see annotations 1
the Neffel region as well as locations called Rheinbach (early
recorded as Reginsbach) and Wormersdorf,
both nearby, seem to gain in archaic background.
His birth and fate as a baby appears as
of Frankish Genoveva legend enriched with motives of the birth of Moses
and the saga of Romulus and Remus.
Ritter pleads for the northern Harz as the venue of
Sigfrid and Mime the Smith, as he points out a deserted
(see X- mark on the linked Nordharz map) which was named originally Sigefrideshuson
settlement. A view to SE.
on the Holtemme rivulet.
where to find the rocky ground of Ilsenstein Castle.
Mime takes a byrnie he has just made for a king, puts
and it does fit. Moreover, it obviously fits so well that he can move
it to Brynhild’s castle. If he were aged as a boy, he could certainly
not slay seven guardians and go at loggerheads with some knights and
on the queen’s castle. What are the mathematical probabilities that
the king and Sigfrid may have same size of just about a giant’s? There
is much impressing description of Sigfrid’s size, as Lord Brand recites
at the Grand Banquet for King Didrik’s followers and friends (Sv 177&178).
Does that speech might rather spring from boating yobbos who are much
themselves? Only a short time later these guys have go home with a
man-to-man result of a trial of strength at King Isung: They had lost
less than nine of twelve fights! Besides, Hagen and King Gunter were
Didrik’s fight may be left aside here for his wilful deceit by broken
Mime seems not to be an any old smith who has to do his
for the villagers. Rulers of far regions obviously know about his
Sigfrid does not belong to the workers of Mime.
Obviously frustrated by hanging around, Sigfrid pokes his nose into the
smithy now and then,
where he does nothing else than vastly enervate and beat Mime’s
Just at that point, as Sigfrid was hardly to control for his enormous
Mime is going to teach him working at the anvil.
According to early documented testimonies, a village
called Minsleben, a few miles far from Siewershausen, does
belong not only to the
eldest settlements of that region, but is also closely related to iron
works of early times. Ritter was witness of scientific diggings and
of ferrous slag found at Minsleben, whose suffix leben is a
from Thuringian leva or leven. Ritter
notes well that Mime was written down as Mymmer or Mynner
the Old Swedish manuscripts.
Another intriguing localization of Mime’s smithy has
Liegt das „Rheingold“ in Rheinbach-Loch bei Bonn?
Referring to the Reginsmál and Fáfnismál
of the Elder Edda (Codex Regius), a ruler named Hjalprek
put Regin(n) (intertextual
character corresponding with Mime) in charge of raising up Sigurð.
Regarding Ritter’s timline of Þiðreks saga, this Hjalprek
be considered as the early Salian king Childeric I. Both
and poetical texts localize his activities also in Saxony and
Following the texts written by Gregory of Tours, Childeric’s territory
or influence might
have included the Eiffel. Regarding that passage provided by
the Elder Edda’s lays, we could identify the
Eiffel locations Worm ersdorf
and Rheinbach, the latter formerly
certified as Regin(s)bach
(= 'Regin’s rivulet'), as place of Sigfrid’s foster father. This
implicates in so far an important area of narration provided
some heroic lay of the Edda.
On the subject of the slaughter of Sigfrid, Patzwaldt
intertextual etymological details provided by the Nibelungenlied and
saga. Subsequently, he points out the Eiffel as more believable origin
location of some of the lay’s most dramatic parts.
3 The Regenstein,
the venue suggested by Ritter
Seven miles to the southeast from Minsleben, the Regenstein
up as a small woodland mountain with steeply ascending rocks.
surrounds the Regenstein. Photo by the author.
Imposing caves are crossing the Regenstein foot area
nicknamed Feuerland ('Fireland').
They could have been serving for places of Germanic worshipping, e.g. Thing
by the author.
Today, just a mile far from the Regenstein, ponds and
fill the little valley of Goldbach rivulet. Old land registry
specify its parcels as Drachenkopf (Dragonhead) and Drachenloch.
latter, 'Dragon Valley', rolls approximately a third mile.
rangers of this district still use these names. Today, this area is
run and restricted.
'Dragon Valley' rolls about a third mile.
Photos by the
author who thanks the proprietors of this
the release of both photos.
Was Regen a solitary protozoon or the Count of
There might have been an ideal habitat for the first
Although the manuscripts report on Regen as a brother of Mime, this
could mean spiritual brotherhood: Had Mime some slyness and cunning of
On the other hand, Hatebold alias the first Count of
below), a homeless parvenu who recently had received that location
without remarkable means, could easily and specially protect his area
making good use of the ghastly natural scenery surrounding his castle:
As most important performer, he just needed the completing 'dragon' to
horrify (and rob?) unexpected visitors – certainly by masquerade. There
are some tortuous items supporting such theory of an unreal dragon, cf.
original quotations in Sv 158 and Sv 304.
The German translation of the Vǫlsunga saga, 18,
this speech by the 'dragon':
'Haven't you heard how that all folk was afraid of me
|[Retranslated by the author.
However, the Vǫlsunga saga translators
William Morris and Eirikr
(Walter Scott Press, London, 1888) like to give less exact translation
by this speech of Fafnir: 'Hadst thou never heard how that all folk
were adrad of me, and of the awe of my countenance?']
A robber masqueraded as a dragon, as some authors
never dare to chose his hidey-hole on the foot of a feudal lord’s
or somewhere nearby; and a wary Mime, heaping up an enormous mass of
by his 'High-tech smith works company', would never entrust neither a
kinsman nor any unfamiliar person with that means in order to keep it
away from his questionable or curious workers and, generally, any kind
of temptation. Nonetheless, Mime would certainly do accordingly with
brother who ought to meet contemporary VIP class as well: Regen – Count
The above mentioned passage of the Vǫlsunga saga
on the incentive related to the smith and his brother. The latter or
'dragon-worm', basing on narration by Fáfnismál
the Elder Edda, makes this confession toward Sigfrid
has wounded him lethally:
'I had on the shocking helmet to protecting myself
for all the time I was keeping my brother’s heritage... so that nobody
else dared to approach me; no sword was frightening me, and I never
so many men against me, methought being much stronger than them, so all
were afraid of me ...' (Translation by the author.)
However, the Vǫlsunga saga
provides a divergent
of the 'brothers’ heritage.
its ruined castle by Merian, 1654.
There is historical narration about name
giving to Regenstein:
Thus, the name of this location was contemporarily known. If just a
were living at that time somewhere around the Regenstein, it could have
named after the short name of its proprietor.
Malvericus, King of Thuringia, started a campaign against the Saxons.
his army was beaten back at Veckenstedt (Veckenstädt) in the Harz.
There, a brave fighting nobleman called Hatebold was rewarded for his
service by the option to chose a piece of land for his own
found the little rocky mountains, he shouted out, 'This stone is
right ('regen') one for my home!'
he had built his castle there, he called himself 'Count of Regenstein'
um den Regenstein by Hans Bauernfeind, Helga Sorge, Hermann
Wehr. Publisher: Schloßmuseum Blankenburg.
Blood on other spots
Regarding the legendary incredible qualities of
Svava itself qualifies all those quotations to a reasonable degree when
retelling the tournament fight against Didrik, where Sigfrid, even
by a byrnie, must give up for his wounds!
Incidentally, by retelling his fable of the
'Dragon Killer' who
had taken that special bath from the beast’s bloody brew, Sigfrid
could certainly make some people believe to have become an invulnerable
just by this thrilling 'excuse': As historians have noted, the
most important dynasty of early Frankish rulers, were tainted with
skin disease called 'ichthyosis hystrix'. Its most striking form will
human skin as thick as a swine’s rind. This seems to correspond well
with Sigurðr’s Old Norse apposition sveinn
which, however, is also the word just for a boy rather of bad
This is translated text from the entry Drache=Dragon
by German DUDEN, Edition 1969:
...The victory over the dragon means victory over chaos,
or an old order...
Thus, the dragon represents the bad – and he must not
out by its natural appearance!
as being placed on the Drachenfels 'Dragon Rock' on the Rhine.
protozoon sculpture is a detailed reconstruction basing on real
fragments preserved at Senckenberg Museum, Frankfurt, and the Berlin
by the author.
Francis P. Magoun Jr reinspected the Old
'itinerarium' Leiðarvísir og Borgarskipan
Nikulás Bergsson (Bergþórsson). The abbot
of Munkaþverá connected the Gnitaheiðr,
where Sigurðr killed 'the dragon' by
traditions based on the Edda
lays, with places called Horús
and, as nearest site to the venu, Kiliandr,
explicitly on a route between Pǫddibrunnar
(Paderborn) and Meginzoborgar (Mainz). The American scholar
recognized Horús as Horohusum at the
of the Eresburg at Obermarsberg, its mediaeval
deserted but already in a certificate by Emperor Otto I,
Henry II, cf. also
Hermann Oesterley, Historisch-geographisches Wörterbuch
Mittelalters, 1883: 302. Magoun thereby
the latter site Kiliandr could be
identified with Kilianstädten on the Nidda (obviously
likewise Rudolf Simek, Altnord. Kosmographie, RGA Erg.-Bd.
1990:484; cf. a
review by Dominik Waßenhoven 2008:29–61).
Magoun estimates most tentatively that
this valley region with suggested mediaeval name forms like Nitahe
might have stood for the heiðr’s
Nonetheless, we may wonder whether this location on the
Nidda does also provide a reflection of the eminent Nidhogg
of Old Norse mythology. Apart from that, however, we may take note of
E. C. Werlauff: The editor and publisher of
the Symbolas ad Geographiam medii ævi ex monumentis
Islandicis (1821) likes to connect Kiliandr
with Kaldenhart, the former name of Westphalian Kallenhardt,
east of Warstein (cf. below). Sigurðr’s
decision to slaying also his foster-father, the obvious
last confidant knowing of Fáfnir’s place of treasure,
could point to the plan to carry off the treasure impromptu and
secretly to a hiding place nearby.
| Felix Genzmer
(Berlin 1927) supplements the slaying of Fáfnir with a
taken from the Vǫlsunga saga which is quoted here with the translation
by Magnusson & Morris:
|Then Sigurd leapt on his horse and rode
along the trail of the worm Fafnir, and so right unto his
abiding-place; and he found it open, and beheld all the doors and the
gear of them that they were wrought of iron; yea, and all the
beams of the house; and it was dug down deep into the earth: there
found Sigurd gold exceeding plenteous, and the sword Rotti; and thence
he took the Helm of Awe, and the Gold Byrny, and many things fair and
good. So much gold he found there, that he thought verily that scarce
might two horses, or three belike, bear it thence. So he took all the
gold and laid it in two great chests, and set them on the horse Grani,
and took the reins of him, but nowise will he stir, neither will he
abide smiting ...
intriguing passage was already challenged by Paul Höfer in 1888
and Otto Höfler (1959,1961,1978) who turn to the
Battle of the Teutoburg Forest in order to identify Arminius with
Sigfrid and the 'dragon'
with the Romans (most extensively Höfler). However, both scholars
and their modern followers propagate less convincingly the
'Knetterheide' at Schötmar (Bad Salzuflen) which is on a route
rather from Mundioborg (Minden) to Pǫddibrunnar
(cf. e.g. Heinrich Beck 1985:92–107).
The Vǫlsunga saga considers the Hindarfjall in
environment with both Sigurðr’s fight
on the Gnitaheiðr and Brynhildr’s
seat. Regarding this geographical context, the author received between
March 2012 and 2014 an interpretation from the philologist and book
author August Hunt who follows Magoun on Gnitaheiðr and
estimates Seeburg on lake 'Süßer und Salziger See' as Brynhildr’s
primary residence. Mentioned in A.D. 1043 as lectulus
Brunhildi, however, the Großer Feldberg in the Taunus
does remember the heroine long since with the so-called Brunhildisfelsen,
c. 30 km (18 mi.) far from Kilianstädten. Hence, as proposed by A.
Hunt, it seems
apt to think about the Hindarfjall,
interpreted as mountain of 'female deer(s)', as
a composition of Old Norsecelandic Hin(n) =
'The' + Da
un... = Ta un...,
followed by an 'r'
as less important binding consonant for fjall (=
Interestingly, as regards Sigurðr slaying Fáfnir
on Gnita heath, it
seems less likely that Nikulás had known the Nibelungenlied.
However, he notes the Italian thermae Þiðreks
bað at Viterbo (→
formerly the 6th-century Balneum
Regium) which he quotes or suggests as a plausible
health resort of the Italian king Theoderic the Great. The Old Norse
scribe of the Þiðreks saga could have remembered this passage
of the Leiðarvísir
in so far,
albeit there were at least to well-known spas in the kingdom of
Frankish king Theuderic: Aquae
Granni (Aachen) and the thermae of Roma Secunda (Trier).
5 Brynhild’s Castle
After Sigfrid had slain the 'dragon', he moved with a
smithy straight to Brynhild’s residence 'Seaguard'
in Svava. Ritter identifies
the smith near
the Regenstein on the north side of the Harz. Consequently, apart from
a possible seat in the Taunus and Seeburg
in northern Suebia of Migration Period (reasonably suggested by A.
the other nearest
castles would be either the Heimburg (H. Ritter) or Ilsenstein (W. Böckmann);
the latter on a mountain in the neighbourhood of the highest of the
the Brocken with its marvellous sight-seeing place. Incidentally, the
provides Isenstein as Brynhild’s residence. According to the
Old Norse Þiðreks saga, she had also 'a stud estate in the
nearby' whose horses were much praised for their extraordinary
Queen Brynhild is known as an orphan. Her uncle – who
her brothern-law – is Heim (the) Studder or Heimir.
runs her stud estate, as provided by the Vǫlsunga saga
nicknames Brynhild’s castle Shielded Castle or Castle of
Its rocks photographed from the distance seem to resemble simple
of Late Antiquity being heaped up irregularly. The position of Heimir’s
castle, the Heimburg which became related to German rulers
IV and Henry the Lion later on, can be verified by a large lake – 'sea'
(See) in German language – recently found subterranean only some
miles to the north, as the proprietors of Dragon Valley land
informed the author.
Nonetheless, Queen Brynhild might have had no reason to
after the death of her parents and move down to her bad- tempered
on the lower Heimburg (Sv 14), as Walter Böckmann does also
This castle might belong to the queen’s real estates; but the
with its surviving rocks and longwinded access of nearly one mile, is
quite more representative landscape position.
by the author.
the photo: The
Heimburg cone at an important strategic position.
Harz rising behind
Heimburg by Merian,
The traditional but 'peculiar horse breeding in
as Tacitus quotes in his Germania, ch 27, is also shown by the Horse
Capital at the crypt of Drübeck Cloister Church
founded c. 2 miles far from the Ilsenstein. Incidentally, the distance
from this place to the Heimburg is approximately 9 miles.
6 Theoderic or
He was proclaimed King of Bern at an age below
Already grown older, he has to flee to King
Atala who grants him exile at his Soest (Susat) residence
for a big threat coming from Didrik’s kinsman
Ermenrik. Now, in the period of deprivation,
Didrik seizes the opportunity to aid Saxon
King Atala warring against Baltic tribes. Thereafter he leaves
Atala’s court for a campaign against Ermenrik.
the battle at Gransport on the Moselle’s mouth results in
high personal losses. He moves back to King Atala and
renounces his restoration to the throne for the deaths of a
kinsman and two offspring of King Atala’s family.
Some years later, after the downfall of the Niflungs
at Soest, he leaves King Atala’s country for Bern where he
with his new army. He meets the troops of Sevekin, Ermenrik’s follower,
at Graach on the Moselle and
overthrows him. The scriptors relate that Didrik was immediately
crowned King of Rome (= Trier), thereafter
ruling even a greater
Some locations of Þiðreks saga
Ritter believes in Bonn on the Rhine as place of
young King Didrik. He argues that Bern is based on derivation
Latin Verona - Berona as handed down actually in the
for Bonn on the Rhine. Nonetheless, we seriously have to consider
quite more precious ancient place for Bern: 'Varne', provable
of the Roman VARNENVM.
location appearing between Atala’s residence and Didrik’s Bern is Babilonia.
It can be identified as Cologne on the Rhine by clerical messaging of 11th-
German century. Thus, the basic
related to the vita of Franco-Rhenish king Didrik cannot be confused
those of Theodoric the Great.
Hagen’s father can enter the garden of certainly well
castle without any problems for a lovers' tryst! Therefore, he
had been introduced to the court, coming across with self-confidence
as a druid (Sv 161). The appearance of a Celtic priest in the Eiffel
of the Niflungs might correspond with those typical
relicts in today’s location names there. The former location of Hagen’s
family, as provided by his name apposition he certainly had received
his father, is occasionally forwarded as 'of Tröya' (Sv 340) or
Troja' (Þiðreks saga, Mb 395). However, it seems less
ancestors were of Trojan origin or came from the Colonia Ulpia Traiana
of Xanten. We rather should consider Frankish Troyes,
outstanding Celtic location of the Tricassi.
The old spelling form 'Hǫgni', with a
lower-o-ogonek, is commonly typed 'Hogni'.
8 King Isung’s Land
... They were riding across large woodlands and
The Svava’s description perfectly corresponds with the
German Lüneburg. Ritter estimates the kingly castle on the Kalkberg
of Lüneburg town.
Kalkberg of Lüneburg
Incidentally, Sigfrid reports to King Isung that on the
arrival is 'also a lion of gold with a crown' (Sv 185).
there was no other subject mentioned afore being in connection with
symbol, it must be King Isung’s, too. Actually, we know dynasties with
a lion on their heraldic crests that have been ruling this region
Brunswick and Lüneburg.
9 Sigfrid and
The Svava does not report on any affections for a love
Sigfrid and Grimhild!
Due to Ritter’s timeline of the Didriks chronicle,
over 40 when she married King Atala. Considering a health-conscious
of life as well as corresponding genes, she could have given birth to a
child, the meaningful son of King Atala, just in time. Nonetheless, we
may wonder if the couple were willing to sacrifice him, probably their
only heir apparent, for the apparently planned provocation for slaying
the Niflungs. If they would not, any suitably aged son of King
concubine(s) could have been publicly introduced as Grimhild’s son.
As a heroic lay of the Elder Edda provides, Atli
let punish a
court-maid who alleged that Gudrun (= Grimhild) was sleeping
at Atli’s residence.
Regarding the pedigree of the Niflungs, as extracted
saga manuscripts, however, Grimhild’s youngest brother Gislher cannot
be the natural son of Queen Oda, spouse of the early died King Irung
(Mb 2; Mb 3: 'Alldrian'), as
Ritter rightly stated.
and Irungs Wall
Former existence of a pallatium sive turris
(residence building or tower), 'occupied by reptiles and other
creatures', is provable to
high mediaeval Soest. Regarding also its homgarðr, William
reasonably agrues (op. cit. p. 175) by means of Henrik Bertelsen’s
text transcription and Ferdinand
Holthausen’s Studien zur Thidrekssaga:
A document on
the authority of the
archbishop of Cologne
(c. 1178) relates that a ‘palace or tower’ next to the old church of
St. Peter had been full of reptiles, etc., and was then being used for
charitable purposes, probably a reference to the Hohe Spital southwest
of the church. There is no trace of the Nibelung name; perhaps
(B) and Niﬂungagardr
were added when Hom appeared (for bom) and the
led to confusion
with Holm- (II,310) for Norwegian scribes. There is, however,
evidence that the Norwegian was not inventing these details; Holthausen
(464) suggests that the Edda may have taken the snake-pit motif from
Challenging Ritter, Dietrich Hofmann (Christian-Albrechts-Universität
zu Kiel, German and Scandinavian studies) attempted to
indicate the possibility that the Soest localities, as specified by the
manuscripts, had inspired a high mediaeval narrator for a
pseudo-historical relocation. However, Hofmann did not take into
consideration that this 'reteller' – more likely – might have had
only very little or no knowledge of the exact townscape in much former
times and, therefore, had to refer to contemporary structural
development for an impressing imagination of a former 6th-century
Franco-Saxon battle which, however, cannot be disproved. Furthermore,
it seems less
probable that the composer(s) of the Atlakviða,
one of the eldest Eddic lays of apparently c. A.D. 900, had taken its ormar
garðr motif from an apparently later erected episcopal site pallatium
sive turris which
was reported unkempt and, thereafter, noted on its restoration in 1178.
Dietrich Hofmann argues onto the main
pretensions that, first, »the people of
Westphalian Soest had taken outlandish legends for own historical
accounts« and, second, »they
or no knowledge of their own history«:
However, the two statements are still to
be modified a tad. On the one
hand, we may assume that some people in Soest and elsewhere knew better
about the true history of the city than the narrator of the Niflungs'
history. Because of the conditions of ownership, not only the
archbishop of Cologne but also the Soest clergy ought to have been more
accurately informed about the 'snake tower' than anybody else. It is
rather to be expected that the belief in the historicity of the
as a local history of Soest should have been widespread and strongly
rooted in the people’s mind. Otherwise the narrator would not have been
able to express himself so convincingly, as this version had apparently
spread even far beyond Soest. Some 'intellectuals', on the other hand,
could not argue to the contrary. The oral tradition was a great power
in the Middle Ages because it was thought to be historical and largely
supported. There was no other form of historical tradition
since centuries – even millenniums. The gradually developed
written tradition was not accessible to most of the people. Thus, they
had scarcely any means of examining and correcting the oral tradition
in the matter of historical facts. For this reason, the statements made
above on the conception of history might not only concern the citizens
of Soest in 12th/13th
century, but generally the perceptive opinion of history in the broad
population of the Middle Ages.
Ritter is, to a certain extent, still right by further necessary
modification of the two statements. One must also query how it could
have happened at all that the Soesters had a reception of a foreign
legend as their own story. The existence of remains of old walls and an
abandoned tower in which snakes were living is by no means sufficient
explain this. We can only proceed on the assumption that old
traditions were extant in Soest and esteemed there as historical before
of the Nibelungensage; for instance, stories about a mighty king in the
pre-Christian era, about heavy fighting on the western wall at the old
fortifications of the inner city, etc. Similarities in the course of
and the constellation of persons could have led to the fact that the
Nibelungensage, spread mainly by minstrels all over Germany and beyond,
was identified in Soest with stories of own tradition, presumably with
ballads. Of course, identical or similar names of acting persons could
significantly induce the identification and therewith the reception of
From this point of view it is by no means absurd, albeit purely
hypothetical, to argue with the name At(t)ano on
the disk fibula,
dated into the end of 6th century, as Ritter
done it, see pp. 207f.
In the Middle-Low-German period, the name would have developed to the
which might well have given an inducement to
identification with Attila. This, incidentally, is a literary
influenced form which shows that in Þidreks saga’s presentation a
portion of scholarship was involved who,
obviously did not affect the believe in the correctness of the oral
tradition […] Of course, as regards the Soest part of the
Niflungs' history, comparably the same influenced constituents being
localized in other
and regions of Westphalia and the Rhineland, on which Ritter’s book
well as his previous treatises provide important awarenesses. It seems
that the stories could also have gotten into the influential circle
of the Nibelungensage which, however, had no inherent correspondences
such as, potentially, a local tradition about the walled-up dead in the
Kallenhardt cave ‘Hohler Stein’ in the Sauerland, and which could have
been transferred to Attila.
Schlangenturm“ und der “Niflungengarten“ in Soest in:
Vereins für niederdeutsche Sprachforschung, 1981, vol. 104, pgs
31–46. Translation pgs 44–45.)
|A plan with
the old centre by municipal registry of
1830. Hofmann refers to a corresponding reconstruction drawing by F. W.
Landwehr, see p. 40. See Ritter 1981:193 who does not estimate the
building at the episcopal place of residence ('Pfalz') as Gunnar’s
'snake tower', see also pgs 199–203.
According to the manuscripts, Hǫgni had left in Soest the obvious most
impressive actions, as these are his bursting through the western wall,
fighting ferociously against Irung and then Þiðrek, and,
generating a son for revenge on the patron, 'father' or 'Ata' of Soest.
Since the place of Hǫgni’s ancestors has
been suggested at Troyes,
it would be worth to think more complexly about all the reasons why
Archbishop of Cologne in A.D. 962, decided to transfer the relics of
the holy Patroklus from Frankish Troyes to Soest as its new Christian
Dr Heinrich ten
Koolman, a former Mayor of Soest, wrote on the obvious relicts of an
elder or, relatively, the eldest known wall:
Wie in der Zeitschrift des Soester
Nr. 14 Seite 22 ff. berichtet wird, kamen 1884 bei den
Ausschachtungsarbeiten für ein neues Pfarrhaus an der Ecke des
Petrikirchhofes und der Hospitalgasse alte Mauerreste zum Vorschein.
Gücklicherweise hat man den Fund sorgfältig aufgemessen, und
eine von dem Baumeister Lange am 16.7.84 angefertigte
maßstäbliche Zeichnung ist in dem Heft 14 S. 24/25
Danach hat eine von Norden nach Süden
verlaufende, 1,80 m in die Tiefe reichende Mauer den Petrikirchhof von
dem zum Hohen Hospital gehörenden Gebiet geschieden. In einer
anschließenden von Osten nach Westen verlaufenden, aus
großen behauenden Quadern aufgeführten Mauer von reichlich 1
m Dicke befanden sich unter der Erdoberfläche zwei etwa 2,20 m
hohe und etwa 1,80 m weite rundbogige Torbogen. Weiter befand sich
ein Haufen Bauschutt untermischt mit Resten verkohlten Gebälks.
In dem Bericht ist weiter vermerkt, diese Mauer
müsse zum Hohen Hospital in Beziehung
wenn sie auch keineswegs einen Teil des Gebäudes gebildet habe.
Dafür, daß dies nicht der Fall gewesen, spreche die
Verschiedenheit des Mauerwerks.
Dies Alles deutet auf eine ältere
Burganlage hin, die vor der Errichtung der merowingischen Pfalz
(Heinrich ten Doornkaat Koolman, Soest
die Stätte des Nibelungenunterganges? Rochol, Soest
1937, see pgs
Drawings on the right are taken from the article quoted by
H. ten Doornkaat Koolman.
As reported in the magazine of the Soester
Geschichtsverein, No. 14, page 22f., 1884, old fragments of the
wall came to light during the
excavation work for a new vicarage at the corner of the Petrikirchhof
and the Hospitalgasse. Fortunately, this find was carefully measured,
and a scaled plan drawn on 16 July 1884 by Mr. Lange, master builder,
is reproduced in the booklet 14, pp. 24–25.
According to that a wall extending from north
to south, reaching a depth of 1.80 m, separated the Petrikirchhof from
the area belonging to the Hohen Hospital. In an adjoining wall
extending from east to west, not less than 1 m in thickness and
consisting of large chiselled cuboids, two bows of arched gates, c.
2.20 m high and c. 1.80 m wide, were found under the ground. There
was also a heap of building rubble mixed with the remains of charred
The report also notes that this wall must
have been related to the Hohen Hospital, even though it was by no means
a part of the building, as this might be supported well enough by the
complete difference of the stonework.
All this points to an older fortification
which existed before the erection of the Merovingian Palatinate.]
on this article an obvious later excavation,
'commissioned by the Historischer
of Soest in 1951/1952' as he writes, whose experts had uncovered a wall
(c. 2.5 m
thick) even under the foundation level of the Pfalz. Ritter
the archaeologists of this excavation found under this wall strata with
material and scattershot skeleton fragments and, thereupon, drew the
assumptive conclusion that on this location 'heavy combats had taken
place in the
early Middle Ages'. Omitting bibliographical reference to this
excavation, Ritter quotes as follows from its report (1981:198):
| Unter den Fundamenten (...)
fanden sich unter einer gleichmäßig waagrechten,
tiefschwarzen Holzkohlenschicht von 2 cm Dicke in 1,30–2,30 m Tiefe
»in ihrer ganzen Stärke, besonders aber nach unten
hin, wahllos zerstreut, menschliche Knochenreste, die zumeist, auch die
Schädel, zertrümmert und zum Teil auch angebrannt waren. In
2,20 m Tiefe konnte noch eine 1–2 cm starke, scharf abgesetzte
Holzkohlenschicht festgestellt werden, unter welcher unmittelbar wieder
menschliche Schädel- und Knochenfragmente lagen. Da diese
Schichten nur an der Südseite der sogenannten ›Wittekindsmauer‹
auftreten und noch weiter in die Tiefe gehen, liegen sie im Innern im
Keller eines alten Bauwerks, das als Vorläufer des ›Hohen
Hospitals‹ (= Veste) angesehen werden muß. (...)
Auftreten dieser Schichten mit ihrem auffallenden Inhalt in den Kellern
eines Bauwerks, dessen Mauern 8 Fuß = rund 2,50 m
läßt an dieser hervorragenden Stelle des alten Burgbezirks
schwere Kampfhandlungen im frühen Mittelalter
the foundations (...) under a deep black charcoal stratum of 2 cm
running undisturbed horizontally at a depth of 1.30 to 2.30 m, were
found (...) »in all of its dimension, increasingly downward,
scattered human bone remains and skulls which were smashed and partly
burned. Further, then at a depth of 2.20 m, a sharply
stepped 1 to 2 cm
thick charcoal stratum appeared again with fragments of human skulls
and bones. Since these strata were found only under the south side of
the so-called ›Wittekindsmauer‹ and lie further in the depths, they
meet the inner domain of the basement of an old structure which must be
regarded as the previous building of the (fortification =)
›Hohen Hospital‹ (...) The whole appearance of these strata, with their
striking contents in the basement of a building whose walls were
8 feet or 2.50 m wide, admits to presume heavy fighting in the
early Middle Ages at this eminent place related to the old
11 Sigfrid’s Niflunga
The hoard, most probably a cave, should meet these
||This location must be easily
King Atala’s residence, for a twelve years old boy and an elder man on
horses, but without an escort or entourage.
||The position and inlet of the cave must not be
with ease in the
||The cave must contain mortal remains of a man
with earth or
other natural material after passing one and a half millennium.
||The position of the dead body must not indicate a
||The dead may not be as died young. His date of
must be verifiable
to pre-christian time of that territory.
||Considering the secret trip to the cave, the
of the dead must be ascribable to a ruler of 6th
A cave which meets these conditions was found in a rocky
In the tunnel of that Hohler Stein ('Hollow
of a man were found in an undisrupted stratum. The procedure of a
burial appeared impossible for the position and environment of the
remains. The age of the dead man was determined
nearly 50. The jewellery found at his skeleton, which are a rune
fibula, an arm
a finger ring and knobs, are preserved today at North-Rhine-Westphalian
museums of Lippstadt and Münster.
Stieren and Dr Julius Andree directed this
On the next official excursion (made in 1933) relicts of
a forgery of
War were found at the western inlet of the cave that still has an
number of tunnels. As Ritter notes in his book on the Nibelungs'
Dr Andree informed him that Prof. Stieren 'certainly had suppressed
onto the Kallenhardt
Heinz Ritter-Schaumburg wrote
on July 7, 1987, this supplement
related to the dating of the bronze finger ring found at the skeleton
of the dead man in the tunnel of the Hohler
Hans Schumann (2016, Repro of finger ring ATM unverified). OL4991
specifics notably by Peter Pieper (1987, 1989), Martin
verschwundene Bronzering mit der »Kreuz«-Verzierung
ist wiederaufgetaucht. Er befindet sich jetzt im Museum in Olpe
Er wurde von dem Archäologen Dr. Hömberg als »ein
üblicher Ring des 6. und frühen 8. Jahrhunderts«
eingestuft. Damit gehört
er in die gleiche Zeit wie die Funde in den Soester
Frauenkammergräbern. Bisher hatte man die Fundstücke
im Hohlen Stein in die Zeit um und vor Christi Geburt datiert.
Das trifft also auf den Bronzering nicht zu.
Im übrigen kann ein Schatz, den »viele Könige und
Herren zusammenbrachten«, auch sehr alte Stücke
Den Ring umlaufen 6 Einritzungen,
und ein Schrägstrich. Das können keine Verzierungen sein,
weil ihnen die Regelmäßigkeit fehlt. Auch die
Schrägkreuze sind ungleichmäßig: die Striche sind
verschieden lang und die Schnittpunkte
einmal mehr auf dieser Seite und dann wieder mehr auf der anderen. Sie
berühren sich auch nicht. Ich halte sie daher für Runen. Es
ist die Glücksrune X (G), wie sie auch auf der Soester
Rundfibel eine wichtige Rolle spielt, und sie ist also etwa
gleich alt mit den dortigen Runen. Es sind 5 Schrägkreuze, so
viele, wie der Fibel-Name ATANLO
Zeichen hat, und es könnte eine Beziehung zu diesem Namen gemeint
sein. Der Schrägstrich beendet diese Reihe und ergänzt zur
Sechszahl. Der Ring ist ein Hinweis dafür, daß zwischen
den Geschehnissen im frühen Soest und denen im Hohlen Stein eine
carvings on the finger ring may be compared with those of the rune bone
OL4991 (partial view) found on the Lower Weser at Hammelwarden, Brake.
However, as contextually
remarked in the German article, it seems less likely that the mighty
king of Soest had worn a bronze finger ring instead of e.g. a golden
Position of the dead man
copy from the cave’s ground plan by Eberhard Henneböle, local
12 Graves, Soest 6th–
If survivors of the Soest Battle had wanted to leave a
about those dramatic events to the far posterity by the techniques of
era, they surely must have resigned themselves to do so by gravely
At that time, in other epochs as well, characteristic
of eminent leaders were often expressed by precious burial objects,
Which would be the least significant arrangements if to
proceed to the ruling class of Soest in this way?
In springtime of 1930, less than one mile south of the old town
of Soest, a burying place was found at excavation work for a
building. Prof. August Stieren directed also these diggings and
of this discovery. Its basic properties, at least partially reckoned to
are meeting the aforesaid conditions: For instance, there was a small
but distinguished burial chamber, archaeologically catalogued as a
boy’s grave No.
between two noble female chambers (No. 106 and 105).
||No male kingly burial
chamber since Atala died in Sigfrid’s
||For that reason not less than two
chambers to be
found side by side, because Atala married the mother of Hagen’s son
after the death of Grimhild.
||Since Aldrian, the obvious son of
died early by
Hagen’s sword, his grave must be found close to one female burial
chamber – the 'royal' one.
||Regarding an important symbol for
Atala’s death, one female burial chamber, that of the concubine
who shared with Hagen his deathbed, ought to contain a piece that
either shows or is a key.
||The female burial chamber of
contain otherwise or in addition a symbol expressing an
intimate ratio for the generation of Aldrian, designated avenger
whose father’s coat of arms features an uncrowned eagle.
Graves: 1, 13, 18,
165, 170, 180 are
female. Male chamber 179 is
less precious for minor weapon parts of iron.
A. Stieren estimates that some of these wooden burial
chambers must have belonged to a
mound. Furthermore, prints of a wooden bench were incontestably found
in the female chamber No. 105. Hence, this chamber could have been
a certain period after the time of burial. As regards numismatic
dating, a coin or some other burial gift could have been deposed
later. Some German criticism against Ritter levelled
at the key or other grave goods of chamber No. 105
(cf. items 4–5, a picture of its amulet below) appears inconsistent,
however: The key could be
either a symbolic replica or the death and burial of the involved
person took place after Aldrian’s revenge.
picture on the left:
The medallion (c. 10 cm in diameter) of burial chamber No. 105
also contained an iron made key.
Top picture on the right: The filigree disc fibula of grave No.
165 (c. 3.5 cm in diameter).
Both photos by the author.
below: Golden Cloisonné rune fibula of chamber No. 106 and its
the reverse (c. 5 cm or c. 2 inches in diameter). Several rune-reading
analysts read the cross-type engraving A-T-A-N-O
(See also: Further
information to read the fibula.)
Final Remarks and Reactions
In comparison with MHG works
such as the
and Swedish manuscripts appear as objective as a police report. We also
must state that historiographical and bibliographical characteristics
mediaeval literature allow to conclude that stylistically drier
were rather serving for embellished adaptations of sophisticated epic
Furthermore, the long-established scholarly opinion that the
core of the Nibelungen downfall were the defeat of Burgundian King
by West-Roman and following Hunnish troops in 435/436 appears as de
facto less homogenous identification referring to transfigured
appropriation being based upon recognizable deceptive instrumentation
destination of the Nibelungenlied (notably Aloys Schröfl
Bálint Hóman, allusively Ritter and other authors).
the literary research has come to realize that the writing artists
with 'courtier’s poetry' would have thought hardly of any atavism back
to literary style of Þiðreks saga. Ernst F. Jung, expert in
early Merovingian history, has evaluated the research of both
and Ritter. He points out the most significant difference between the
saga and the Nibelungenlied with this statement: 'Their historical
of space and time is absolutely unlike. The Þiðreks saga
events being connected with North-Rhine Westphalia while the
is basing on poetical fantasy playing at the Danube ...' („das
Gesamtpanorama raumzeithistorischer Art ist ganz und gar verschieden.
Ths. spielt auf Chronik-Basis in NRW, das Nl. als Spiel dichterischer
im Donauland ...“)
Peter Arens, historian at
TV-channel ZDF, remarks upon
of the historical Burgundians in his book Sturm über Europa
(2001): 'It is interesting that this ferocious attempt of
was ascribed to Attila afterwards, although the battle took place
his regency.' (Interessant ist, daß dieser ruchlose
im Nachhinein Attila zugeschrieben wurde, obwohl die Schlacht vor
The Bibliotheca of Photios, Byzantine
of 9th century and Patriarch of
provided the records of Olympiodorus of Theben, allow to conject that
the historical Burgundians were (also) settling in the region of Mundiacum
in the Germania secunda:
Мουνδιακω της ετερας Гερμανιας; cf. today’s locations 'Müntz' and
between the Eiffel and the Lower Rhine.
As Ritter has shown, the Mundia of Þiðreks saga
location of the Niflungs.
Regarding the martial expeditions provided by the
Þiðreks saga and the so-called Svava, Ritter
chronological accounts of these manuscripts to
This allocation does basically concern the reign
of Theuderic I. Regarding
historiographic sources, in first third of 6th
century this Frankish
king took over regions east of the
Rhine. Ritter dates the expedition of the Niflungs
crossing the Rhine eastward into this spatial period, as these people
and their leaders are nowhere
mentioned as 'Burgundians' in the Old Norse and Swedish manuscripts.
Conclusively, there might have been an obvious lost archaic rendition
for the works written by the postulated Low German provider and Old
Norse/Swedish scribes and
those Upper German authors, because the Nordic traditions do augment
with some receptive detail
definitely conveyed by the Nibelungenlied resp. its suggested earlier
Regarding discussions and
interpretations of Nibelungen
however, the experts go at it hammer and tongues to maintain or defend
their position: Aloys Schröfl had his own publisher company to
known his findings. In the end, his contemporary critics paid some
The notable research of Heinz
reliability and reviewing the doctrinal foundation of Germanistic
that, however, has not been ready to receive him for some obvious
Thus, an institute of Siegen University, Germany, put a sharp
flyer in circulation to bawl out Ritter’s analysis of Þiðreks
certainly seems poisonous to Germanistic research. The authors of that
leaflet were not only students.
Nevertheless, Heinz Ritter’s bibliographical work instigated
many German reactions
by private researchers. One of the most interesting contributions,
some attempt to emendate him for some more or less controversial
by Rudolf Patzwaldt (see above). He also provides a captivating
analysis of some geographical items related to the Nibelungenlied and
Heinz Ritter was honoured with German Bundesverdienstkreuz
Service Cross of Germany) and the Verdienstorden des Landes
(Order of Service of North-Rhine Westphalia) for his meritorious